Raven

Sky XXXIV

I lean back against the rotten wooden stump of a dead friend and scan the parked cars nearby.  Ever since I saw my first crush getting into her mum’s car after school, I’ve been able to memorise plates and make patterns with the letters and numbers.  If I saw that car driving along the street, I would push out my shoulders, straighten my posture and do everything I could to look enigmatic – jawline clenched and profiled – in the off chance that she was sat in the back seat gazing out of the window at the multitudes of shufflers and caught a glimpse of this god.  The plates around me look like fun, or as close to fun as I get these days.  Those add up to 20.  That one kind of spells twat.  That car, in that shade of red, reminds me of Jessamin and her chocolate eyes, and her new surname, and the child she bounces on her knee that isn’t mine and I never wanted anyway.   

* 

Newspapers have been filled recently with the story of a man from Nagoya. The woman he loved died last year and he drowned himself in work—Japanese style—like a madman. It seems he even made an important discovery in electronics. And then in the month of May he killed himself. They say he could not stand hearing the word ‘Spring.’”  

– Chris Marker Sans Soleil 

* 

I am halfway down my first bottle of beer, and I can feel the buzz as the disease winds around my arteries, laminating my cells in that familiar melancholy stupor which will leave me reckless and blind later on this evening.  When I am into my third or fourth my mind becomes sufficiently lubricated as to give me a glimpse of my former self – when life was as simple as a 16bit jump over an instant kill pit, before morality sat me on a fence for eternity, before I knew anything about the future and how influential it will be.  By the seventh, I will listen to the ravens as they sing their songs about death hunting us through the long grass.  I will remember the stuff that never happened, and I will fantasise about things that did happen and happened beyond my remit.  It is easy to live inside a bubble until it becomes opaque and hard, and before you can escape you are trapped inside a marble and condemned to be lost in a gutter or under a child’s bed.   

The last time I sat here I made a bit of a fool of myself.  I begged an old woman for a trampoline because she looked like my grandma and we never had a garden growing up.  I cried over her old dusty tights and vomited maroon over her inexpensive shoes.  That night, in the police cell, I felt too embarrassed to shit on the exposed toilet and too wired to sleep on the mattress.  Instead I added my name to the others carved into the wall, taking care not to overlap ‘Johnny Sumner’ who (from the number of notches underneath) had spent sixteen nights here.   

I look up to a cloudless black sky.  It is just past noon, but the blues and greens and reds have drained out of my eyes of late.  I see everything in a saturated monochrome now – trees, lakes and birds just vague shadows in my mind depending on the strength of the incandescent Sun.  All the cars now look the same, except – of course – for the plates.  I neck the last of this warm first bottle, placing it carefully next to me, and look over my shoulder.  That one is the same make and model of Jessamin’s.  That one adds up to 17.  That one spells Mist.   

Double Bind – Basilike Pappa & Jimmi Campkin

Windows

I sat down on the remains of an old dream and watched her snort a line of concrete dust. The blood ran thick and maroon from her nose, as I broke the seal on the fourth of the day with the loudest escape of air. My shoes are rotten, as are my legs, but my shoulders still have enough bone and sinew and hope to carry us through the dead plants and vicious eyes. I can smell people; as I walk through the crowds I can hear their prejudice and taste their awful choices in partners and pornography. Everything is sour, and everything leads us to numb our experiences.

The sun is hot enough to melt a bank vault and we recline across the monolith of grey in this wasteland; like a mortuary without the building, like a coroner without the science, as loved ones without the care. The stones sizzle and burn into our weak flesh, and in response we fill those gaps in the tissues and veins with sex and rust and disobedience. I can’t remember the last time I ate food, or smelled a flower, or watched a sunrise. I only remember the darkness, oozing across our shoulders and knees like an oil slick across a coral reef, as we blinded ourselves in a deep blue we will never reach.
I drag a pen over her bare thigh and write all the things I want to do to her. She laughs and grabs my wrist, crossing out the ones that will never happen.
*
I am irritable because I am hungry and I don’t know what I am hungry for. It’s not food, even though I wouldn’t mind, but something else. Maybe I am hungry for the blue of skies past or simply for raw flesh.
When I am like this, he gives me his arm to bite. I sink my teeth and suck at his skin and my own saliva. He shudders, but not from pain. I only bite to leave marks on him, to brand him as mine. He watches them fade with a smile on his face. We kiss, spit merging like rivers sweet and destructive.
In this place of cell blocks, marble gardens, police cars and strangers, we are wraiths playing with explosives, starting a thousand wars against normality.
While people are slaving away somewhere, we break into their apartments. We put on their clothes, wear their slippers, sit in their armchairs and call each other “darling” and “sweetheart.” We treat ourselves to bites of food and shots of liquor. We have some favourites we often go back to, so after fucking on their beds we make sure we leave everything as it was before we sneak out again.
In the beginning, he asked what would we do if someone returns home to find us there. I said they’d better not. I am irritable when I am hungry.
Cuddling each other in half-constructed buildings, monuments to petit-bourgeois ambition forever destined to remain naked brick and concrete, we talk about what our dream castle on a hill will be like. A castle of iridescent stone, with black ebony window frames and everlasting roses climbing its walls, overlooking our realm of flowers and sunrises. In such a place, even life may fit somewhere in our embrace.
As a moon of elf bone rises, hunger grows into a scream. We are the night searching for a meal.
*
Lighting a cigar, I let the tobacco hang in the air before planting the wet end deep inside a ruined candle. I’m wearing someone’s shirt, someone’s shoes, and none of their dreams. When we can find them we use their old bank statements as firelighters; we grind up their old family pictures and snort them up with much hacking and coughing. She tells me; this is memory rejecting against us. I’m not interested in memory anymore. Nostalgia is just an old man with terminal masturbation.
I sit down in an old wicker chair and feel the burn down the back of my throat as another gallop of Old Brandthrick trundles and fusses into my veins, obliterating anything with forward momentum. All points reset to zero, all rails set to the buffers. She walks across me, one foot taking the place of the other, and lifts her autumn dress to let in the air. I am nothing in this and yet I am everything; a flat piece of meat observing the opening of a rare flower.
The Moon rises and cries to a symphony of two legged jackals. I have her courage and she has a knife. She drags her finger through the remains of our most recent bonfire and pushes the tip under my eyelids. With a kiss smeared down my cheeks she runs her tracks over the wet bones, the soot planting deep in my pores. I look into her eyes and she smiles and shakes her head. This is not a night for heroics; this is a night for being the night.
When I breathe out, my ribs rattle like wind-chimes in a spring breeze. My eyes search the swaying yellow grass for any unnatural movement. Behind me she swills an expensive tumbler full of cheap whiskey in a black ball-gown too big for her, hanging like a defiant flag from her shoulder blades. I know what seethes underneath but I need to concentrate now. My veins lift from tissue and bone as she sings a gentle song, rustling in tune to the dead field.
*
It’s time.
I sit on his lap, wrap my arms around his neck and look him in the eyes. Is he ready? He says yes, but not without the face this place has given him.
“The eyes are the windows to the soul,” I say in all seriousness, and we both burst into a mocking laughter that could make the rising moon crack.
“Why so sad?” I ask, and he looks at me as if he’s close to tears.
“Don’t be mad,” I say, and he gives me a scowl worthy of an unworthy parent or a saint.
I want him to be happy, and happy he becomes, a trendy buffoon drinking his favourite soda in a commercial. And when I lift my dress, his eyes open wide in vestal innocence.
I paint his eyes with soot, burying them deep into stinking shadows. See? The windows to this soul are shut. Then I trace my blackened finger over his lips.
“Bring out your dead,” I say.
We’ve been watching her ever since we saw her run over a couple of pigeons. She clapped her hands to congratulate herself, golden rings and dyed blonde hair gleaming in the sun. They had crapped on her car hood once too often – fucking flying rodents. We watched her speed
down the road, leaving a mass of bloodied flesh and dirty feathers on the asphalt.
We buried the birds in the field of scorched grass, digging holes with our hands, saying a prayer for flowers to grow over their grave.
She unlocks the door to find him sprawled on the sofa.
“Darling,” he says, “you’re home.”
Her hands are tied, her mouth is gagged. I can see the back of her shoulders rise and fall with her muffled sobbing. He apologises if his actions caused her any distress and messed up her makeup. In a soft, crooning voice he tells her how anger and bitterness have left tell-tale lines on her face.
“Life is not as the romances promised. All these false ideas you swallowed without question led to disappointment, didn’t they? Now you take it out on those who can’t stand up to you.”
He takes a Swarovski bird miniature from a display cabinet full of refined useless objects. He holds it against the pendant lights, pretending it’s flying across the room, the colours of the rainbow flashing out of its open wings. Then he makes it land on the floor and crushes it under his foot.
“Once you had another face. Do you think you can find it? Promise me you’ll try, and I’ll leave. You’ll never see me again.”
She nodds, furiously, and I expect there are more tears running down her cheeks. If I were her, I’d cry too if he told me I wouldn’t see him again.
“There is a number you mustn’t call after I leave. Promise.”
More nodding, more passion into the gesture. He looks into her eyes.
“I can believe many things,” he says. “But you… sweetheart, this is where I draw the line.”
But it’s me who draws the line. A perfect, straight red line across her throat.
*
Sitting in an old armchair, a new rain thick and glutinously falling through the holes in the roof, I carve slices of apple from a bloodstained razor. The sweet citrus mingles with the dark iron of oxygenated red and I cannot work out if I like this taste or not. I see her washing her hands in the trickle of a paste waterfall, the drizzle coated in dust and ash.
“Bit excessive?”
She dries her hands on her already stained dress and pads over towards me. Backlit, the sun illuminates her hair like a neon Medusa and I stare and I stare because if I cannot live for the blood of others running over my own, I wish to be made of stone. She sits in my lap and flicks my nipple through my t-shirt.
We hole up in the old shack because the sound of sirens is too loud for fragile skulls soft from fetal-alcoholism and a lack of calcium. Downstairs the living room is rotting; upstairs all the walls are just faint traces on the floor and the only monuments are a lonely sink, a single rusting bedframe with the mattress now just a black stain on the floor nearby. Above, a single light fixture hangs sadly, ashamed to still be clinging on despite being powerless.
Ushering her off my lap I stand up. The sudden violence of the situation disturbed me, and now I feel high after the hit, my soul now spinning wildly like a ship caught in a whirlpool, caught up in a flashback of an event that is already in the past. Taking the ribbon out of her hair, I tie her wrists together and fasten them to the ceiling light above us. My heart thuds and echoes around the empty walls around us as I take another slice of bloody apple.
*
A line drawn, a line crossed. A first time for everything.
First time I saw him, standing in this room on the windowsill, shifting his weight back and forth. If he was a painting, he’d be called blackbird on a seesaw. I could have let him fall, because he had intruded on my solitude. I pulled him back. I didn’t save his life, I told him, and the flicker of anger in his eyes died down. I saved his death. It wasn’t a long fall down; no one would carry his broken ass to a hospital. He’d pass some very long last hours on earth, calling himself an idiot. He ought to find a taller building if he was serious about it. And make sure he was alone in there, or another lady might save the gentleman in distress.
He is eating an apple.
That same night I tied the knots for the first time, the rope once around his wrists, twice. His body passive, his eyes urging me on. They blazed like the fire burning where the sirens went, the one that cleansed that place from our presence. He had said “kill me,” but meant “fuck me.” Every time like a better first time, until we performed the ritual to perfection.
This is the first time we part with tradition. A first time may be the last time.
He is eating an apple. Not washing his eyes.
He says I must have been conceived underground; I’m bound to earth and she gives me my strength. As for him, he feels disconnected, only half aware of his surroundings most days. I shook my head the first time he told me what scenes he played behind his closed eyelids to soothe himself into existence.
He is eating an apple. Not washing his eyes. The knife in his hands.
Maybe I should have taken him at his word and killed him, or let him fall. He fed me his hunger seed after seed. It’s an irritating taste burning at the back of the throat, unable to say itself, coming out as a growl or a scream.
Another slice. The windows to this soul are shut.
I cross out the things he wants to do to me. He always writes them back. He isn’t one to forget easily, no matter how he claims he’s not interested in memory anymore. He is good at self-deception. What do you mean does he know it? Of course he does. Of course he doesn’t.
It’s getting hard to think as my wrists go numb. Perhaps it’s getting late too. Late for castles, flowers and sunrises.
I gave him what he wanted. So now what?
*
I place the tip of the blade against her breastbone, but then drive it slowly down opening the dress and revealing those familiar contours. All the violence of late has been so much empty vapour, and I struggle to breathe these days. Here in this fetid shack so rotten as to allow all our dreams to escape through the cracks. I turn my back as she flutters and dangles in the breeze like a flower with some of the petals plucked away and sit down on the floor.
She once told me; there are none more cruel than those who believe themselves to be righteous. I’m not sure if I feel righteous but I feel cruel and I feel the force of it bleeding out of me from my shoulders down to my knees. Once I scrambled in a dark room at night, and now I find myself in a dark room with no windows and no hope of sunlight to one day illuminate everything. I need fire and nothing in this fucking place, this fucking town has the guts and the soul to burn.
Throw a few more bones under the mantelpiece; the dry crackle might just show us what we have left. I stand up, knife in hand, and stride over to her. It would be so easy to end everything now but I can’t bring myself to deprive the world of such depravity. I slice a lock of her hair and place it under my tongue before cutting the ribbon down around her wrists.
If I can’t escape the darkness, at least I’ll have the black.
*
He is drooling. Beaded strings hang from his chin, breaking, falling on his t-shirt. It’s mesmerising; a slow, fluid metamorphosis. Then the smell hits me: something metallic, something burned, like a nervous dog shooting the glands. It seeps through every pore of his body with such force it almost pushes me back. I slide a hand around his waist and pull him closer.
”You are a god now,” I whisper in his ear. “We are. We had nothing else. We’d be gods or nothing. We agreed on gods.”
I catch the beads with my tongue, lick them off his chin. His saliva is a sharp, straight aphrodisiac of apple, blood and doubt, streaming from his mouth to the rythym of his thudding heart.
“Breathe. You were just born.”
I drink; my heart quickens. Finally, he spits that strand of hair on the floor and we kiss like rivers.
“Do you?”
“I do.”
“Fuck me.”
I don’t want to take the knife, but he makes me, squeezing my fingers around the handle. The temptation to push it in his belly is tremendous. I’d hear the sound of his skin tearing; I’d get to see what his disloyal insides are like, while he’d be waiting for me at our castle on a hill, warm and new. The idea almost makes me come.
I shake my head.
“I won’t choose how this ends.”
Bringing his hand to my lips, I sink my teeth in his flesh. He shudders and finds the knife in his hand again.
*
I have a handful of her behind as she straddles me, pounding down into my lap with so many gasps and creaks that I don’t know what is human, animal or just the weak floor underneath us. Her hair cracks around my face as I feel the warmth in my lap, leaking onto my thighs; moans, shrieks and ice deep in my stomach.
When I open my eyes, it is already grey around the edges. She continues to pound away but everything is dying and I am staring at a clenched fist pressed against my own stomach with a knife somewhere inside it all. Her sex mingles with the blood now pouring out of me, but still she maintains those furious eyes on mine, daring me to pass out before she is done.
My vision fades like the ripples of a pond in reverse, contracting and drawing everything in. My hand slides away from her buttock and finally lets go of the blade hilt. With this release I suddenly feel sharp pain, as though the knife has become this destructive object in that moment. She still slams down on me but it is useless, just a pointless slap of flesh on blood. The groans turn to growls, the moans into a seething frustration as I slip away beneath her like winter mist as the sun breaks through.
We’d agreed on gods. I am no god, but neither would I ever want to be mortal. This made sense to me. My eyes narrow to a single circle of fading light; of shiny gritted teeth and piercing white eyes. She’s slapping and punching my shoulders but I can’t feel it anymore. I feel weightless but I’m not flying to the above. Our kind – my kind – we only slide down, just so much water trickling between the gaps in the floor and growing putrid where there is no light.
Time to sleep now. No gods, only monsters. And truly, for a short time, we were monstrously magnificent.

Silent Hour sits with a notebook on its lap or in front of a computer. Its pen is fine-tipped and black, its current notebook is also black and almost finished, and the computer is rather old.

Silent Hour is Basilike Pappa

Interzone — Sudden Denouement Literary Collective

I remember she once told me; the funny thing about endings is that they never happen. By the time you reach it, you’re already past it. Likewise we can never experience tomorrow, it is always just out of arms reach. She was always saying stuff like this; it sounded profound but then […]

via Interzone — Sudden Denouement Literary Collective

The School For The Dying – Free Verse Revolution

Flower Steps

When I wake up, my room is a deep pink from the sunlight passing through the cherry blossoms that cover this place.  It never fails to give me a warm feeling inside, as though the rays are diluted through the petals and into the cells on my bare arms and legs.  It takes me back to a colder memory I often have from five years ago of a windy dock and a rotten jetty poking forlornly into the harbour, reinforced by a finger of steel pointing towards this pink dandelion island nestling in the middle of the bay.  I took the boat with other kids all looking at each other with the curious mix of shyness and knowing – that our sunken eyes and strong brows gave us all something in common we all knew too much about. As we sailed towards the island where my new school was apparently located, we began to see that this beautiful marshmallow floating in the rough ocean concealed bright white buildings, whose small towers seemed to furtively whisper to each other at the latest intake.

It took me a few days to realise why I was here.  Sitting through an easy math’s exam to determine our respective abilities, I finished early and glanced over my shoulder.  I was the second of five rows with a sixth row of kids all attached to trolley drips – thin hoses to noses and arms. After the exam finished I took a wrong turn down a corridor looking for a bathroom and saw another exam hall filled with beds and machines all bleeping in unison, the participants propped up and scribbling frantically on trays attached to the sides, with far more invigilators than we’d had in our hall, dressed in brilliant white.

I was now a permanent resident at The School For The Dying, an institution that allowed kids with incurable ‘situations’, as the staff euphemistically called it, to see out their education.  Anyone who couldn’t realistically continue their studies and who wouldn’t make it past graduation could be considered. Inhabitants stayed on the island in rooms of varying degrees of intricacy – mine was just a bed with a desk, drawers and a small sink and wardrobe – but others were the size of operating theatres with machines and instruments that meant we couldn’t have the lights on after 9pm every day.

I got up and stretched my thin limbs, shivering in the warmth from the window.  Today is a good day – double History followed by double Art and a single English Lit lesson that will probably be silent reading.  It took a while but now the rhythmic hissing of ventilators helps me to concentrate during the quiet reading periods. I also get used to seeing our single desks slowly become more and more empty as the school year progresses.  We all make friends as quickly as we can, because we know that our lives exist on fast forward.

I dress quickly, wash my face and prepare my books.  My classroom is just across the courtyard from this dorm block, but I take the longer way around so I can get a glimpse of the sea.  From the outside the cherry blossoms seem impossibly beautiful, until you are inside them and you realise they are blocking the outside world.  But standing on the right bench, when the wind is blowing in the right direction, you can see through the canopy and get a sniff of that salty air or, if there is a storm, maybe a splash of real, unfiltered water.

As I leave, I see Prof Maguire talking to a group of young girls.  I sneak away to the outer path, knowing that walking too close to the sea is technically forbidden – not that anything is really forbidden here.  Maguire is well known for scolding the girls who hide in the bathrooms to smoke, telling them it is bad for their health, but the arguments always end in laughter.  There are no real punishments here because no one ever really misbehaves. Life is too short, it seems, to spend it being a cunt.

The outer path is cut by curious feet to wind between the mass of trees that separate the school from the sea defences.  I tiptoe through the mud of a recent rainfall so my shoes don’t give away my location. The air is still today so all I can see is a noisy curtain of pink, but I can hear the roar of the ocean as it breaks on the rocks that guard us from storms.  I stand for a moment and try to remember a landscape that I haven’t already seen every day. I see the paths between buildings and I try to remember a street. I see puddles forming after rain and I try to remember seeing a lake, for real, not as a picture in a book.

Eventually I make my way to the classroom and take my seat.  There are not many of us left who are so close to the end of their teen years.  I have already repeated the final year once, so when questions pop up I keep quiet because I know the answers and I know the way to the answers.  A couple of the seats have been filled with new faces this past week, and the other empty desks sit sadly like dogs tied up outside a shop waiting for their owners to come back.

I lift up my desk lid, now covered in deep little carved marks, and add another one to the gathering army.  I wasn’t supposed to see my 15th birthday, so after I had passed that milestone I started carving little notches to mark my ongoing, bewildering march towards irrelevance and a little headstone on the mainland – my marble ticket home.  I have to carve them deep, the sawdust falling over my wrists, to distinguish them from the other lesions and scratches left by previous students who also marked their time, however fleeting or lingering, but it gets harder every day to have the strength.

I am 17 years, two months and six days old… and I am running out of desk.

freeverserevolution.wordpress.com

 

 

UltraViolets

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The sea has a glassy stillness as I walk along the path.  The horizon joins the sky in a dark band of incoming rain, the sandwich filling between the pale water and the massed cloud, and the wind murmurs and brushes around me with delicate paint strokes.  Nothing moves out there, the white horses sleeping under the surface, the birds gathered in pockmarked lesions of white and grey against the dull landscape, nestling and bracing for another winter storm.

To my left, the ground seethes and writhes in deep scoops of old quarries now overgrown with trees and scrub as though the land itself is embarrassed by the scar tissue.  These are dim places remembered only by the long dead, whose bones gained the ultimate revenge on the bourgeois by tumbling from the clifftop graveyard during a storm into the back gardens of the horrified middle classes in their seaside villas.

Ahead of me I can see the deep green V carved out of the hillside ahead.  The old railway ran through here; coming the other way you would emerge out of The Tunnel, into this narrow valley with its sharp sides until it gradually fell back to reveal the sea, the town and the dreams of escapism – all those coal miners on their week holiday, their tired eyes now allowed to stretch as far as the sea will allow.  How many of them left the pits where the rock pressed against their noses and the dust hacked their lungs, saw the ocean and cried?  Not many, probably, but maybe a few.

I enter the valley and I can see The Tunnel ahead, bricked up except for a single rusting padlocked door.  The air smells bland as I leave sunlight and the sea behind.  All sound is dimmed except for the low hum of a generator.  Dead ivy hangs down over the arch like long talons.  I approach the door, remove the padlock and walk inside.

Two spotlights illuminate an iron lung.  Inside, a man with long grey hair nearly touching the floor.  He leans his head over to me and smiles, two beads of bright blue crinkling in his face.  I drop my rucksack to the floor and remove a foil-wrapped piece of cake, and a bottle of mineral water.  He nods to me and quietly says yea yea yea.  Brushing loose hairs from his cheeks and mouth I feed him the cake, stroking his scalp as he chews and mulches the sponge into a paste that dribbles down one corner of his face.  A sip of water here, another small piece there.  I kiss his forehead – it tastes like old vinegar – and listen to the muffled clattering of the machinery.

When he’s finished I wipe the spit and crumbs from his face and he goes back to staring up at the ceiling, smacking his lips content.  I sit down on a nearby crate and open a bottle of cider.  Getting drunk in an old tunnel is codeine for the senses – every drip of water, every little piece of brickwork crumbling, the dank smell of cold air through musk and plants who exist without light.  I think about masturbating but it doesn’t seem appropriate given the circumstances.  Maybe I’ll climb into the bathtub later when it is empty and try then.

I stand up and walk further into The Tunnel, away from the safety of the spotlights.  As I move further away his every noise becomes louder.  I can hear his nose whistling as he breathes, I can hear every little movement that makes the iron lung creak.  The generator, keeping everything alive, now buzzes in my ears like mosquitos after a monsoon.  Looking back I see the beams of white illuminating this weird distorted shape, like a tomb but without the solemnity of cold marble.

I finish the cider and throw the bottle into the black void.  I walk back towards the old man and rest my head on his metal chest.  He looks anxiously at peace, the jaw clenched, still tonguing a piece of cake jammed into a cavity.  He never really says anything except to agree or disagree with things.  He knows yes and no, yea and nurrrrr, a weird little growl he does when he’s unhappy or when I accidentally hurt him when combing his long tangled hair.

It’s been a special day and he knows it, those little blue marbles twinkling away, a smile flicking at the corners of his mouth.  Cake and a little water and a cider for me.  The iron lung sighs and rattles as his breathing begins to increase.  I give the tomb another cuddle and, reaching underneath, I unplug it from the generator.  Electricity freed, the spotlights now glare and hiss as the old man’s face blanches bright white, the mouth open and agape filled with a red tongue.  I stroke his hair one last time as he begins to make a strange new noise; a primeval grunt of indignation, desperation and terror.

I can’t imagine he will be too long, but nevertheless I don’t want to stick around.  Turning my back to the rhythmic flailing of someone almost buried alive, the gnugh gnugh gnugh getting louder, I open the door to the real world and get a blast of cool air.  The rain pats and taps against the old brick, and I can smell renewal, rebirth; something to cleanse us all.  I close the door behind me, lock it securely, and begin the walk home.  A piece of cake.

When We Were Tigers – Free Verse Revolution

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Under a piece of tarpaulin, draped inelegantly over a pair of upturned shopping trolleys, we listen to the patter of the rain above us, a pool developing over our shoulders.  The damp seeps into our shoes and clothes, our hair is lank and clotted with wet dust. She pops another codeine between chapped white lips as we watch a pointless landscape disappearing into the murk.

As kids we played as a pair alone, long days and evenings, not pausing for breath until we were profusely bleeding into each other.  We scrambled over barbed wire fences, took out security cameras with fishing slingshots and lobbed aerosols into the fire, holding our nerve to stand still and feel the white hot ice of glowing shrapnel slicing through our shins and thighs.  We pissed in doorways, cuddled under hailstorms and licked each other’s muddy arms until we looked like a pair of half-starved and shaved tiger cubs.

I look across to her now; twenty years older and forty years wiser.  The cheekbones are hollow, casting deep pools of shadow like bruises on a fallen apple, but I still see those fresh razors just concealed by puppy fat.  The most beautiful faces and bodies are the most lived in – just as the most cosy house has dust in the corners and the smell of old dinners. I put my hand on her bony knee and give it a squeeze.  She smiles at me, but I can see the first waves of codeine are assembling with the tails of the previous hit, creating the chaotic confusion of a torrential river flowing out to sea and meeting the incoming tide.  I could be a sack of potatoes with a face drawn on them now, so I reflect on our first meeting.

It started with a fight and ended with a sprint.  I hadn’t slept in three days, and decided to walk down an alleyway I knew was dangerous.  The air was always heavy with musk and rotten things – dead wood, dead plants, dead tarmac; disintegrating animals with ribs protruding outwards like awful flowers.  I could feel myself nodding as I drew in the thick miasmic skunk, clinging to my nose hairs and eyelashes when I saw her casually leaning against a lamppost talking to a guy.  She was having an argument and had been called a cunt, and her response was inspired; you wish you had a cunt.  Cunt’s crush dicks like paper covers stone.  Moving her hand from behind her back, I saw a triangle of glass jammed between her middle two fingers.  She smiled, cocking her head to one side and said, fist bump?  A few seconds later the boy had the glass embedded in his cheek, the silent scream only serving to tear the flesh further apart as bright red juice spilled down his jawline.

As we ran together, I tried to introduce myself but I could only make breathless noises.  So from that day on, my name was ‘Tah’, said as though suffering from an asthma attack. We ran past the point of his muffled yelps, beyond the visual sight of the alley, beyond that tree-lined avenue until it was a moment that had never happened.  We rested until the stars came out, when the night was dark enough that we didn’t have to retrace our steps and see the trail the boy left as he staggered home.

Reminiscing does none of us any favours though.  There’s a reason I tend not to dwell on how we met, and as I look back to that face now finally settling into an agreeably numb groove, the chemicals aligning to form a comfortable compound, it’s hard to imagine what those eyes have seen.  I look down at her hand and she’s idly flicking a triangle of broken glass between the gaps in her fingers, back and forth. It’s a dreary day, but she seems happy enough. I pop a pill, wash it down with a polystyrene cup full of cheap vodka, and settle down for an evening of sensory drumming as the rain sprinkles down on our pathetic little tent.

 

Originally posted on Free Verse Revolution

Quarry – Free Verse Revolution

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I’ve been sitting on this icy stone for half an hour watching her swill the endless whisky miniatures, produced from her pocket, around her ulcer pocked mouth.  She hisses at the weak sun, and in the cold our breath mingles like clouds colliding before a storm. The sky is barely lit; just a candle covered in dehydrated piss and viewed through a filthy window, but the grass and the sheet metal buildings and the broken down flat fences all feel alive.  Even the dead trees kick and stomp under the soil, trying to work their dry roots into the moist holes under the soil.

We’d spent the morning in a burned out car, trying to find the places where our arse bones didn’t pinch on the exposed seat springs, making all the appropriate vrooming noises and twisting wheels both real and imagined.  I hadn’t slept in sixteen hours and I’ve seen it all – news footage of melting women, dudes in crystal armour striding through sand, Disney characters sodomising each other with musical notes and treble clefts drifting out of their oversized gaping mouths.  Acid is a hell of a drug but it is no substitute for insomnia, carbon monoxide and desperation.

I turn back to those two pinpricks of sheer light, as though God is pacing around inside that beautiful thin cavity flanked by tissue, skin and hair.  She smiles something beatific and I don’t care that this burned out husk is staining everything I own and giving me severe asthma. Looking down the patchwork bonnet I see the sun struggling to gain traction, scrabbling to rise and to push through the haze.  But I still feel the warmth on my cheekbones. I close my eyes and I see those rays travelling millions of miles to turn my eyelids pink. I feel it on my teeth, as they click and clatter to the cosmic metronome of a chaotic Universe.

When I open my eyes, I come to some fucking hippy realisation about the ongoing transient nature of being  – of how there are no endings or beginnings but just the constant force of worlds and stars and comets and particles that cannot stop moving, even when they appear to be standing still.  This is not even drug talk, or sleeplessness talk, but an apotheosis. Flanked by rust, dust and ash, and sat next to a drunk angel, I begin to stamp my feet into the ruined carpets pretending that I can still drive this tyreless wreck into the heart of the Sun, where we can disassemble ourselves in the heat and become one single entity, atoms joining in a nuclear fusion where no science can drive us apart.

We leave the car, because I begin to stop breathing.  When I tell her she laughs… “You’re beginning to stop doing something?”  She helps to carry me across the field to the remains of an old building, now just disfigured lumps of masonry poking out of the grass like broken fingers.  It takes me a few moments to collect myself, and I can taste fire and smoke in my throat.

The Sun climbs halfway up the sky, gives up and begins to retreat again.  Around us, the thin mist gathers and clings, grabs and devours, and the atoms in my flesh tremble without heat.  I lean over and I can smell the whisky on her breath. She’s staring at me dispassionately, her eyelids heavy with drink.

I tell her;

“You are the most important thing to me.”  

She sighs, rolls her eyes and responds;

“You always have to ruin things, don’t you…?”

 

 

Originally posted on Free Verse Revolution