Dead Boxes

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I look across and you are asleep already.  You look so angelic my eyes flood and I blink away the tears that tumble from my eyelashes.  The moonlight illuminates your skin, hiding the dark circles around your eyes and your chewed lips.  In this light you aren’t slumped anymore, but elegant and wise, your jawline casting deep shadow over the nape of a pale, spotted neck.  I feel like an astronaut, peering out of the capsule window over a foreign landscape, looking for a safe place to touch down.

Carefully, I pull the needle from your arm.  In front of me is a chain link fence and, picking a hexagon, I aim the syringe perfectly through… it lands with a faint puff of dust on the other side.  It can’t hurt you now… hurt us now.  I stretch out my boots and click my knees.  My jeans are caked in oil and grime so they creak when they bend.  Running my tongue through my mouth, my feet are as furry as my three year beard.  I wish I could sleep, but my heart keeps beating.  Thump thump thump, it pounds away, the only healthy thing I still own.

We’re resting in the alley, because it’s too warm to sleep.  Even outdoors, the air is heavy and dismal with pollution.  Buildings sweat, trees die, people go away.  From here, between my legs, I can see the churned turmoil of a diseased Earth covered in the detritus and mistakes of Man.  Chimneys and rigs, steel and sulphur, lit artificially and haphazardly and now abandoned, to be reclaimed by a mutated Nature that does not grow so much as manifest and pulse, tentacles of thorns grasping everything it can.  This is Gaia on life-support, her bed left unattended as her flesh rots into weeping sores.

I look over to you again.  Your head has shifted towards me, so I can see the jagged parting in the top of your greasy head.  A single trickle of blood is making its way between the hairs on your arm, so I lick my finger and gently mop it up.  I have dreams of us leaving this place.  Daydreams and night dreams where I get it all together, get a real job, rent a flat, buy a dog, do recycling and go to the funfair to win teddy bears for you.  But I know you can’t do these things.  The umbilical didn’t sever, it just clung on and became septic.  You can’t leave this place and I cannot leave you.  So this is now our life – mossy alleyways covered in graffiti, the rusting monuments of industry, old shacks covered in ivy and stinking of piss that we sleep in when the snow falls from November to March.

We play in the wreckage of those that failed.  But as we get older those paints don’t fade but become bolder.  Old ruins glint sharp.

As long as we still breathe, we still have time.

We don’t have to fail.

Crimson Lips

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I took her to the disused railway line.  The trees form a green tunnel, with patchwork sunlight dappling through the leaves.  Looking eastbound, I see a circle of green pierced by light and flanked by the twin brown lines running to meet in the distance.  In dim shade, there are grey walls coated in faded paint, covered in the icons of those who no longer walk here.  In the long grass burned spoons and aerosol cans, all the pathetic detritus of a people that have failed their home.

When I told her where we were going, she rolled her eyes… must we?  Haven’t we done this already? 

She told me once; I have fantasies about being tied to the tracks, bound at the wrists and ankles, as a train is approaching. 

She told me; I feel the vibration from the rails on my skin and in my bones and I’m writhing to get away, pushing my chest out, and I can’t… I just can’t.

And I have to walk away.  I can’t abide the thought of her in peril, but I can’t explain the bulge in my jeans either, or my dry mouth, or my breathlessness, or that I’m trembling like I’m cold under this midsummer sun.

So I bring her back here out of confusion.  I’d never tie her to these rusty old girders, and no train has run down here in sixty years.  I just want to hear her story again.  I want to hear her desire something.

Driplets

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I inhale the smoke and gasp under the lights in this jet black room.  Sweating bodies and dead flesh grind and bump around me, so much cadaverous globules.  The first pill hasn’t kicked in yet – I can still taste dry ice and hairspray – so I pop another and dream of my future.

Above me on the stage, the party is just getting started.  But I don’t party.  I’m looking for sensation, real feeling.  I see empty men and indifferent women, just so many appendages and openings, no more atuned to love as the assembly instructions for furniture.  I’ve already seen a Princess, but the low bass throb is reacting badly with my shoes and I’m struggling to move more than five yards a minute.

It doesn’t matter.  She comes over to me, just as the second pill kicks in, and her eyes turn into a pair of gold coins ringed with black.  Leaning on a table, my opening line isn’t brilliant.  Are you blind?  Can you see?  It’s fine if you can’t…. I’m not prejudiced.  She’s sympathetic but confused.  I’m confused but sympathetic.  With firm hands and long nails pinching under my armpits, she hauls me out of the bonfire before the strobe dilutes my memory.

Dragged across the floor, I can see the artifice of this place.  No ceilings, just vents.  No lights, just effects.  My trousers are sticky with beer and other questionable things.  I have a flashback memory; fourteen years old, first time getting loaded on beer stolen from my parent’s fridge, listening to music on my headphones whilst lying on my bed and feeling as though I were floating into the song… like melody could be fluid, and something one could swim around.  I felt my immature quilt cover melting around my arms and legs, the pillow swallowing my head, falling into the rabbit hole of a greater sensation of feeling.  I’ve never felt better than that teenage drunk.

She drags me into the Gents and rams two fingers down my throat, her long nails lacerating the roof of my mouth.  I instantly throw up foam and blood, as a concerned man with aftershave and soaps for sale looks on.  She rubs my back, tells me Everything Will Be Okay, and buys some wipes from the dude.  He won’t accept her money, but she has a way of making things happen.

What’s that Smiths lyric?  Under the iron bridge, we kissed.  This isn’t an iron bridge and we don’t kiss.  She drags me outside and we meander, supporting me as best she can, until we sit under the ruined arch of an ancient church.  The fresh air ploughs into my senses and I feel like I am drowning.  Even the stars in a cloudless sky move too fast.  She sits with me, holding my hand, and asks me questions.  I try and answer them all flirtatiously, but she just laughts.  She wants to know who I am.  When I sit still the echoes of the bass still pinball around my head and send me off-balance.  Her arm around my shoulder isn’t affection… it’s protection.

At some point, I ask her for her number and she hands me a card with a wink.  I go for a kiss, and she darts away from my lips and plants a wet one on my cheek, grabbing a handful of my expanding groin in the process.  I look up and mumble something about the moonlight.  I can barely focus on the damn thing, glowing and bulbous above us.  She looks up and points, tells me about footprints that will never be erased and flags that will never stop fluttering, if we can just believe in the impossible…. something something.  Something something?  Why can’t I remember….?  Fucking hell.  Why can’t I remember?

I woke up in the gardens, not far from the arch.  I opened my eyes to a dogwalker, crouching nearby to pick up some shit and eyeing me pathologically, trying to assess whether I was still alive.  Underneath the crook of a low shrub, dry from the morning dew and still wrapped in her denim jacket, I rolled out from my little grave and surveyed the morning with a thumping headache and slime on my lips.  I felt something sharp in my pocket and I remembered, the card she’d given me.

It was blank except for a lipstick kiss and words scrawled in biro; TAKE CARE OF YOURSELF. 

 

Metallic

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We roll up, the tyres cracking and complaining under the broken ground, into the skeletal husk.  In the shell of the old factory the slabs of mottled concrete rise like broken teeth, or gravestones, testaments to mothers, fathers, daughters and sons.  Every surface is tattooed with fallen graffiti artists, leaving their tags in blood red as the light dimmed from their eyes.

Trespass is the least of our crimes, and our crimes are the least of anyone’s around here.  I look across to a vibrant bundle of scarlet hair and anger.  Aged fourteen she found her brother kneeling peacefully in the street with a knife hilt buried in his chest.  She ran over to hug him as he rose his head to the sky, closed his eyes and a single tear ran from the corner down his cheek.  He whispered into her ear; this really hurts, and I need to sleep… if I don’t wake up, know that I love you. 

She broke my ribs last week.  As I crouched, doubled up and breathless, she pointedly remarked; if it makes you feel better, I can feel it too… and it hurts.  She was dangling upside down from a tree at the time.

Now we sit in front of a jagged, arrow shaped monolith, casting a shadow over the car.  Five stories of naked, pointless brick holed five times down the centre by glassless windows and kept up by a few flimsy pieces of tape and warning signs that the whole thing could come down at any moment.  We’re underneath it, and for good measure, I turn the key to shut the engine down.  The stand-off begins.  If it decides to fall today, we won’t have time to react.  I pass the can to her and she passes it back.

Tears regularly form on her eyelashes like icicles.  She tells me; I’m finding it harder and harder to keep breathing forwards.  Then, with a deep sigh that raised her chest to the heavens, she turned her head to face me…. See? 

When I walk down the street with her at night, the streetlights flicker and dim as she walks past them.  I used to think it was her energy fucking with the wiring, but now I realise it is the shadows of her thoughts that swim and dance around her head, blocking out the light, selfishly hogging her soul.

Sucking on the can, she leans back and stares out of the window.  Her voice is half panicked and half relieved when she says; I think I’m dying… I can see angels coming to collect me… I never thought I’d be one of the saved. 

I look ahead; flecks of snow are settling on the car windscreen.

 

Weave

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In the dream, she walks behind me as I stand in front of something impossible, trying to find my way around it.  She wraps her tentacles around my waist with a squeeze and I feel her breath on the back of my neck.  My hair, and everything else, stands to immediate and obediant attention.  When did I get so submissive?  I feel her breasts pressing into my ribcage and her heartbeat thumps against my spine, playing the bones like a xylophone.  I can feel the nerves dancing in my heels.

Nothing is impossible inside your forcefield.  Wearing you like a rucksack, with your arms wrapped around my neck and your legs hooked under my arms we flatten mountains and part seas.  We stomp across suspension bridges, leaving rippling waves that send cars and coaches flying into the air and over the edge.  We reduce cathedrals into dust and snort an ecclesiastical line or two from our forearms.  Your long scarlett red hair hisses like serpents and cuts like a molten whip, slicing through the forearms and necks of any fool who steps in our way.  We collect limbs like pennies in a casino flattened by a tornado.

I offer impossible things, because I like it when you bite my ear in irritation.  One day, we walk into the sea with our pockets full of rocks, to see the shipwrecks and pickpocket the dead.  I know that this is an impossibility too far, and as the cold water curls around my ankles and then my knees, I realise that I’m feeling for the first time.  We go under into a deep blue and I cannot breathe.  I stumble along, in the vague direction of the skeletons of ships, seaweed waving us away, until your heel nudges me in the hip.  You’re pointing in the direction of a metal husk, with eyeless sockets where the Captain’s bridge used to be, and a broken bow like a dislocated jaw.

I trudge over, but my feet are getting heavier, or you are getting heavier, or the tide is pushing us back.  I turn my head to meet yours and we kiss, but I realise as our lips meet that you are struggling as well.  I taste your tongue, mingling with sea water, and we break apart, our lungs convulsing as you hold me tighter than you have ever done before.  Arms around my neck, my ribcage compressed and your heartbeat now beating tribally against my back.

I wake up face down.  My pillows have been violently tossed out from under my head and are resting on my back where your breasts once were.  There’s blood on the sheets from chewing my lips apart.  I’ve gripped the sheets so hard, my fingers have pushed through.  Every muscle is locked tight.  I roll over with some effort and stare at the ceiling until I can escape impossibility and return to a safety I don’t want anymore.

 

Tangerine Eyes

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I’m always nervous when she is in a good mood.  She draws too much attention to herself.  And us.  I’m standing next to her but a few paces apart.  I can see a tree, and I can see her former boyfriend hanging from the tree by his wrists.  She’s wrapping herself back up in a deep, dark coat covering up the black lingerie she wore to entice this fool.  And then, with one ridiculous heel braced against the oil drum, she kicks it away and This Boy dangles like a trouserless pinata…. his dick already beginning to tumble in panic like a demolished tower block.

She has a knife in her pocket and it’s already out.  This is both good and bad.  If she shows the blade early it means The Boy will almost certainly return home with the rest of him, but on the flip side she is in the mood for fun.  And any second now a passing dog walker is going to stroll past and start asking questions.  And I have my own blade, hidden and considerably sharper than hers, to deal with intrusions.

Whilst they – whilst she – talks, I sit down on a nearby rock, like a grey island amidst the thistles and weeds.  The wind hisses and waves through the grass that seems to charge in unison towards this weird public execution.  There’s dog shit on my shoes, my jeans, under my armpits and behind my ears.  It’s been an odd day.

I should get out of this.  I tell myself every day.  But within her sphere life isn’t boring and sex is dangerous.  A sniff of her greasy hair flecked with pollen and dandruff and I’m hopeless.  To see her squatting, shitting in a field is divine.  People may laugh, but then they end up like This Boy.  Kicking and fretting about the loss of his insignificant sexual vegetables.

Her eyes are orange, thin black pupils over a pair of deep autumn suns.  She always has plans… and strategies and I wonder if she shouldn’t be in the military, or as a modern day Boudicca, riding a tank into a warzone with a sword in the air and a pair of goggles to protect from the diesel smoke.

It always begins like this; we’re going to do something nice and normal, like go and get pizza from Earl the street vendor, but we ‘happen’ to meet up with her ex; and for a while we sit and we eat pizza and she tells us stories about each other and our failings, and I haven’t even asked why a black trenchcoat in June?; and then she suggests a walk out to the fields and beyond to the wasteland, and by now I’m trying to mouth to her ex that this is a bad idea; but he’s cock of the walk right now, especially when she turns to me and tells me to fuck off but with a knowing wink that he cannot see; so I do go away to give her the five or ten minutes she needs to string up this silly boy and prepare him for the entertainment…

…and as I’m walking away, knowing I will return soon I think, there she goes again with those flawless Tangerine Eyes. 

Pelt

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I bleed always

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Translucent and odourless, it flows cold

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Flavourless and…. pointless?

No.

Not pointless.

Wrong word.

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The grief of distant stars…

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…no longer there…

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…the light reaching us too late.

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Can you be saved?

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Do you need?

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Do you want?

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Touch your fingers

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Eyelash-kiss my moist cheeks again…

 

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As you snore in my arms, the vibrations run through me like the tremors of an earthquake; the ripples spreading out like stones hurled into a pond.

Your sonorous baritone makes my atoms dance.

I see my reflection in your eyes and I’m always dying.  Always falling to my knees clutching my chest or covering a wound on my neck.  Always clinging to life inside that perfect circle of black.

Hide me under a quilt so I can bury my tongue between your legs, picking hairs out of my teeth.  I’ll wet my broken lips against your sex, nodding my head…

slowly….

slowly…..

slowly….

…agreeing with everything you say.  Hide me under the sheets, leave me to nest between your thighs and not come out until the spring.

 

*******

I put down my cup of tea on the table and pretend to scratch my nose; actually, I’m sniffing my fingers.  I’m wearing her black thong under my skinny jeans, so my cock is half squashed and half rubbed raw against the zip fly.  My hair is filled with her shampoo.  My teeth glisten with her toothpaste.

*

The question is asked

__ ___ ____ ____ ______ _____?

and I reply;

Excuse the language, mother…

…but I fucking love her.