Bunker (via FreeVerseRevolution)

jesus-is-an-ok-guy

(Originally posted on Free Verse Revolution)

*

I watch as her fingers dance across the yellow keys.  Greasy silver hair down to her waist, a tattered and frayed dress dancing around her knees and a pair of filthy ballet pumps pushing down at the ruined pedals below.  When the notes emerge from underneath the rotting wood of the old Joanna, I want to wrap my arms around this strange creationtoo messed up to live and too strong to die.  

 

She flings her pale arms out and announces to myself and most of the oxygen that surrounds us; I will now play the Glorious 9th!  I pick up a piece of crumbling stone and hold it up to the Sun.  I scream into the sky – BYE THIS STONE, I HEAR THE NINTH – but we’ve both had far too many chemicals and yet not enough.  Above us, the sky faintly hums with amber, and the clouds now rush past as though they have places they need to be, people they need to see… that are not us.  

 

It troubles us not.  

 

It troubles us, never.  

 

*

 

Later that evening, on the hill overlooking the machinery, we recline and shiver in the cold blanket of progress.  The ruined piano slumbers peacefully nearby as we point our legs towards the bright lights below.  From up here we can see a sickly neon reflecting from the silver towers, the arc of the orange streets forming like the lank petals of a dying flower, dark smells of sticky macadam drifting up over the dead thistles and dandelions that lay around and under us.  

 

I pass over the bottle of Lumberjack; a lethal, plain label affair with the colour and smell of dehydrated piss.  She gulps, taking it like a shotgun blast to the chin and pulling her lips back to reveal red and puffed gums.  I can almost see her hairs standing on end, like in those cartoons we used to love.  She lies back down, softly counting the faintest stars ahead.  

 

“…fifteensixteenseventeeneighteen…”

A scrunched nose

“…nineteen?”

‘My feet are going numb.’

“twenty…. twenty…one?  No?  Fuck.”  She hisses like a cat.  Pulling her fingers into claws, swiping at the air…  hisssssss!  Hissssssssss!

I’m serious… where are they?’

“What happened to all the stars?  Are they dying or are we just drifting away?  Floating away from some kind of wonderful nirvana… where…”  

She takes another swig and kicks her feet into the ground

“…we might live inside our dreams.  Imagine that…”  Tickling my stomach.  “Inside a dream.”

 

I roll on top of her but she plants a knee upwards into my groin.  We tumble a few yards down the hill and stop in a heap of tangled limbs and clothes, the bottle bobbling along pathetically after us.  

 

*

 

What is the point of progress when it sends us not forwards but sideways, to a new reality but without going anywhere?  We look down on the metallic tentacles sprouting from the ground, slumbering peacefully under a dead moon, cables and girders all anchoring to the old town like a seething blackhead.  I rest my head on her shoulder and point towards the gleaming new glass covered office block, covered in Opening Soon banners like bloodstained bandages on a headwound.  When I close my eyes I can see the fingerprint of the record shop that stood inside it.  All around the glaring lights act like sacrificial bonfires as one by one a meaningful edifice is torn down in the name of…

 

Progress…”

The word dribbles out of her mouth like pus from a septic wound, shit from a diuretic arsehole.  

“That’s all this place wants… progress.”

I nod.  ‘Just trying to be impressive, like hiding behind the school bully and threatening the weak kids.’

She shakes her head.  

“No, it’s not even that.  It’s more than that.  It’s a denial of… I dunno… history I guess, and a denial of an attainable future?  They want to pretend that culture never happened.  It’s a scorched earth policy y’know?”  

 

She gesticulates, flinging her hands out.

 

“Burn the books, shred the music… extinguish anything that might give you a dream and give you an oversized glass coffin to march inside every day for the rest of your waking life until you are buried alive underneath MDF, paperwork and shit coffee.  Wear a trouser suit, do your nails, cover your little plastic idiot box with pictures of the kids you wish you hadn’t squeezed out of your useless cunt.  Fuck the milkman, fuck the nanny, swing your limp dick on the golf course… push it deep inside a cow’s arse and pretend you are still vegetarian…”

 

I sit up, resting on my elbows.

 

“Pull down the bookstores and the libraries… knock down the schools and build another supermarket… wait til the kids can walk and get the little bastards stacking the lowest shelves.”

I stare at her.  She stops and looks back at me.  

“What?”

I take the bottle out of her hands and gently replace a shoe that has slipped from her dainty, blackened foot.  

“Don’t you stop me when I’m in full flow, fucker.”

I hold my fingers up in a crucifix.  ‘May the Lord Jesus compel you towards forgiveness’

“Fuck Jesus!”

‘You can’t, he’s dead’

She fights the grin that spreads across her face.  “I reject all deities!  I am a fucking woman and I outlive everything!”

‘He Died For Your Sins!’

“Then Why Do I Keep Doing It!”

 

She laughs and pounces on top of me.  We roll through the dry grass, kicking out legs, our hair knotting together.  

 

“Every time I try and say something you bring God into it.”

I tilt my head and put on my best angelic pout.

‘But God is everywhere…’

She takes a deep swig of Lumberjack and belches loudly into the ether.  

“Not everywhere… just in here.”  Her black nails tap against the bottle.  

 

 

*

 

‘In all seriousness, what do you think it all means?’

“You’re asking me?”

I sit up and look across to her.  We can hear the first tweeting of early birds and the black sky is turning a sickly mauve in anticipation of the rising sun.  

‘Why wouldn’t I?’

“I ‘unno… I don’t have answers any more than you do.”

I look towards the town as the streetlights blink off one by one.  

‘New beginnings… Prosperity, commerce, opportunity… it has to be a good thing, right?  We’re a couple of wasters, but we aren’t the future.’ 

‘This…’  I gesture to the town, covered in cranes and construction.  ‘This is reality.  We… we’re just stuck… in here.’  I hold up the empty bottle and tap my forehead.  

She looks at me for a moment, then leans in to kiss my cheek.  

Oh bless you.  Three lovely words.  Prosperity, commerce, opportunity.  As if they have any relation to each other…”

She stands up, very unsteadily, and opens her arms out to the weak heartbeat of the town below.  I get up as well, despite my head pounding with every intake of breath.  

 

“This…” she begins.  “This shiny optimism is not a new beginning.  This is an ending.  An end to culture.  An end to the hope of escape.  An end to an alternative way of being.  See the old record store… gone.  See the old bookshop… now just a pile of bricks.  See the old school… now a 24hr mart.  See the people… they don’t look up anymore, they look at their own shoes.  See this sky that once blazed orange, now fluttering in lilac like a dying butterfly.”

 

“There is hope.  We just need to recognise it.”

She cups her hands together, as though protecting a bumblebee, and offers them to me.  I look inside, but there is nothing except her cracked palms.  

 

“Can you see it?” she says, hopefully.  I look deep into her bloodshot eyes, past the pockmarked cheeks and the yellowing eyelids, over her shoulder into the shiny metal town being assembled beneath us.  A breath of wind rattles the dead weeds at our feet and rolls the empty bottle of Lumberjack down into the thistles below.  

 

‘Yes’ I lie.  ‘I can see it.’

 

Flux – via FreeVerseRevolution

Golden Canal York

We wait patiently in a hot summer evening haze, expectant of some event or apotheosis.  Everything ripples before us; the horizon, landscape and the cold shells of the old furnaces undulating in this new heat, leaving us drowsy as though languidly awaiting the Rapture.  We’re reclined in a pair of old car seats dumped in the midst of a daisy and buttercup sea as all around us, yellows, whites and dainty pinks, Louis XVth greens and platinum silver rays flow like the tides, sweeping and retreating in disorganised order.  

She rolls up her skirt, pointing a toe into the heart of the Sun and plunges a small penknife deep into her calf.  Blood begins to trickle out from the slit, and I can hear hissing – perhaps from her in pain or from her fluids hitting the hungry vegetation around us.  I don’t ask questions though.  I just try not to stare too hard at the blossoming crimson below her knee, spreading over her ankle.  If I make this a Big Deal, I’ll probably be next.  

So I pass her another rolled smoke as she reclines again, allowing one bloody leg to cross the other.  I lay back into the creaking old leather instinctively fumbling for a seat beat.

The wind whips around us, eager to join, and I feel her smoke burning my eyes and tongue.  Around us everything has taken a day off – birds stand silently in trees, the few clouds remaining stationary in a rich blue sky like ocean liners.  She holds up a clawed hand, in the vague shape of F# and tells me, as only someone under the influence of powerful narcotics can, the importance of the chord progressions in Tonight’s The Night by Neil Young.  Strumming her hip and making gestures at the air.  And then you go dnng dnng dnng ng.  Ng nng nnnnnng.  

I point out the shadows creeping across our feet like burst oil across a clear sea.  The old factories and cooling towers loom over us now, once gleaming bright but now turning orange as the Sun sinks lower.  All I hear, other than her words and the wind, is the deep ringing of silence.  The buildings around us barely emit a hum, and I can hear every languid flick of her air, every crack of her spine and every crackle of burning cigarette paper.  

The evening sets in, deep terracotta, the little black silhouettes of birds now gathering on the ripe saplings dotted here and there.  She takes a deep breath and asks me; do you remember your finest moment?  I shrug.  Beating a one-legged kid at tennis in three sets of 6 love in half an hour?  Building a home-made parachute out of old sheets and leaping out of a tree?  Scaling the fence into the old factory and finding the cupboard full of glue and pornography that kept us awake and alive for an entire autumn?  She waves her hand dismissively away. 

“I remember… ages ago… you put on a pair of stupid glasses, jammed some flowers into your jeans and then hid in the toilets of a nightclub for an hour.

Until they played a track by The Smiths and you… just… fucking… emerged, dressed like a Poundland Morrissey, in the middle of the dancefloor, twirling daffodils about like a deranged helicopter, until the bouncers dragged you out and kicked the shit out of you.”

I laughed.  

‘Yeah… I was a dickhead back then…’

“Yeah, you were” she smiles.  “But you were also brave.”

*

On misty evenings even machines leave ghosts and echoes.  As I sit, surrounded by a damp curtain, I can hear clanks and grinding from mechanisms long since rusted beyond repair.  Nothing makes sense in this cold.  My fingers and legs stretch out before me, pale grey and barely emitting any light.  I perch uncomfortably on brown springs – the leather long since torn or rotted away.  Around me dead yellow stalks hiss and scream uncomfortably, whilst at my feet a wide circle of burned black punctures the earth like a missing eye.

I’m on my fourth can.  Once upon a time I put a hand on a shoulder, and felt the warmth evaporate my fingerprints, absorbing them into her constellations of freckles.  I looked into deep eyes and floated – always floated – even for someone who could never swim.  

I look up at the sky these days and it doesn’t feel empty, just overwhelmingly crowded and noisy.  I remember the days when I could eloquently scream and cut through the white noise with ease, setting my target for the heart of the Core and exploding with confidence, sparks dancing from my shoulders as my emotions brought down mountains.  Now I fumble over broken words that bounce pointlessly away like airgun pellets against a Battleship.    

 

The noises don’t intimidate me anymore.  If I hear the grumbling of a ‘78 Rolling Stock Diesel vibrating under these rusted springs, if I see its shape rolling past in the fog, I can pretend that it is meaningless.  Just the ridiculous echoes of an old time bouncing off the walls for perceptive ears.  Except everything feels so numb now.  Nothing is rich anymore.  Nothing burns, nothing hurts, nothing excites.  When a forgotten past bleeds into a forgettable present, where can one exist? 

I finish the fourth can but it won’t be the last.  I am too cold to stop now and the dawn is at least another couple of years away.  As my feet stamp and crunch into the black soil I have a vague memory of auburn hair smelling faintly of cigar smoke and pollen.  One leg raised against the dying sun, blood streaming from a single wound and forming a pool at our feet, as all those whites and yellows, Louis XVth greens and platinum silvers were slowly drenched and drowned in her deep, oppressive red.  

*

Eventually she began to lose consciousness.  Even as the smoke rasped my lungs I could tell that she was in a bad way.  Her eyelids ashen, her sockets sunken, her flesh pale and old.  The blood that once streamed now patted rhythmically on the stubborn head of a Buttercup, determined not to be deterred, unflinching.  A deep pool of red formed a circle at her feet.  The ground beneath us gargled like a drowning swimmer.

She told me; when I was a kid I was obsessed with Space Oddity by Bowie.  I used to listen to that song over and over and over and over again on my little kiddie cassette player.  And then, when my parents got pissed off and wanted to sleep, they’d hide my tape player.  But it didn’t matter to me.  I knew that song.  I knew the lyrics.  I could feel every vibration of every note in my ears.  So I would creep out of my bed when everything was quiet, go to my bedroom window and stare into the night sky imagining that Major Tom was real… that he was actually floating out there in his old tin can, just a dead man perfectly preserved in a vacuum, endlessly orbiting the planet.  

I wonder what happened to that girl who didn’t look at the floor but looked up to the sky.  

She took another deep drag and lifted her toe up to cover the sun.

What happened to the girl who believed in Major Tom?

*

I wonder that as well.  I wonder what happened to the boy who believed in the girl who believed in Major Tom.  There is no wind now, but I still hear the hiss of the dead stalks around me.  I remember, only just, when this meadow sang with colour.  

I cannot keep the flowers alive with memory alone.

(Originally posted on freeverserevolution, with thanks.)

Starlings

DSC_0025

She told me; I want to tell you three things and I want you to shut up whilst I’m talking.  Holding up a hand, she extended a finger as she counted.  There’s a dream… a memory… and a verdict.  They are connected, but I don’t know how. 

The bridge creaked in the wind, bustling through the narrow valley below.  Our bare, dirty feet hung into the abyss, as curious animals peered up to see whether we were a threat or just angels.  I passed the half bottle of warm liquor and she ingested it with the grim determination of someone enduring minor surgery without pain relief.

She told me that she dreams about The Boy.  How he always appears in the background; leaning on a postbox as she walks through 1920’s Berlin, or in the seventh row of a Stones gig she imagined she attended.

She told me about a memory of The Boy hijacking a car to impress her but realising he couldn’t drive.  So she took the wheel and got them far away before the car alarm attracted too much attention.  They dumped the car; to stop him feeling too disappointed she nibbled his ear until he got erect and left him alone to finish the job.

The verdict is… that I should’ve saved him.  I let out a disguised cough; this is anodyne for such a sharp mind.

I tell her; he is a severed portal to a place you want to be.

Where?

Anywhere but here.

Raven

Sky XXXIV

I lean back against the rotten wooden stump of a dead friend and scan the parked cars nearby.  Ever since I saw my first crush getting into her mum’s car after school, I’ve been able to memorise plates and make patterns with the letters and numbers.  If I saw that car driving along the street, I would push out my shoulders, straighten my posture and do everything I could to look enigmatic – jawline clenched and profiled – in the off chance that she was sat in the back seat gazing out of the window at the multitudes of shufflers and caught a glimpse of this god.  The plates around me look like fun, or as close to fun as I get these days.  Those add up to 20.  That one kind of spells twat.  That car, in that shade of red, reminds me of Jessamin and her chocolate eyes, and her new surname, and the child she bounces on her knee that isn’t mine and I never wanted anyway.   

* 

Newspapers have been filled recently with the story of a man from Nagoya. The woman he loved died last year and he drowned himself in work—Japanese style—like a madman. It seems he even made an important discovery in electronics. And then in the month of May he killed himself. They say he could not stand hearing the word ‘Spring.’”  

– Chris Marker Sans Soleil 

* 

I am halfway down my first bottle of beer, and I can feel the buzz as the disease winds around my arteries, laminating my cells in that familiar melancholy stupor which will leave me reckless and blind later on this evening.  When I am into my third or fourth my mind becomes sufficiently lubricated as to give me a glimpse of my former self – when life was as simple as a 16bit jump over an instant kill pit, before morality sat me on a fence for eternity, before I knew anything about the future and how influential it will be.  By the seventh, I will listen to the ravens as they sing their songs about death hunting us through the long grass.  I will remember the stuff that never happened, and I will fantasise about things that did happen and happened beyond my remit.  It is easy to live inside a bubble until it becomes opaque and hard, and before you can escape you are trapped inside a marble and condemned to be lost in a gutter or under a child’s bed.   

The last time I sat here I made a bit of a fool of myself.  I begged an old woman for a trampoline because she looked like my grandma and we never had a garden growing up.  I cried over her old dusty tights and vomited maroon over her inexpensive shoes.  That night, in the police cell, I felt too embarrassed to shit on the exposed toilet and too wired to sleep on the mattress.  Instead I added my name to the others carved into the wall, taking care not to overlap ‘Johnny Sumner’ who (from the number of notches underneath) had spent sixteen nights here.   

I look up to a cloudless black sky.  It is just past noon, but the blues and greens and reds have drained out of my eyes of late.  I see everything in a saturated monochrome now – trees, lakes and birds just vague shadows in my mind depending on the strength of the incandescent Sun.  All the cars now look the same, except – of course – for the plates.  I neck the last of this warm first bottle, placing it carefully next to me, and look over my shoulder.  That one is the same make and model of Jessamin’s.  That one adds up to 17.  That one spells Mist.   

Double Bind – Basilike Pappa & Jimmi Campkin

Windows

I sat down on the remains of an old dream and watched her snort a line of concrete dust. The blood ran thick and maroon from her nose, as I broke the seal on the fourth of the day with the loudest escape of air. My shoes are rotten, as are my legs, but my shoulders still have enough bone and sinew and hope to carry us through the dead plants and vicious eyes. I can smell people; as I walk through the crowds I can hear their prejudice and taste their awful choices in partners and pornography. Everything is sour, and everything leads us to numb our experiences.

The sun is hot enough to melt a bank vault and we recline across the monolith of grey in this wasteland; like a mortuary without the building, like a coroner without the science, as loved ones without the care. The stones sizzle and burn into our weak flesh, and in response we fill those gaps in the tissues and veins with sex and rust and disobedience. I can’t remember the last time I ate food, or smelled a flower, or watched a sunrise. I only remember the darkness, oozing across our shoulders and knees like an oil slick across a coral reef, as we blinded ourselves in a deep blue we will never reach.
I drag a pen over her bare thigh and write all the things I want to do to her. She laughs and grabs my wrist, crossing out the ones that will never happen.
*
I am irritable because I am hungry and I don’t know what I am hungry for. It’s not food, even though I wouldn’t mind, but something else. Maybe I am hungry for the blue of skies past or simply for raw flesh.
When I am like this, he gives me his arm to bite. I sink my teeth and suck at his skin and my own saliva. He shudders, but not from pain. I only bite to leave marks on him, to brand him as mine. He watches them fade with a smile on his face. We kiss, spit merging like rivers sweet and destructive.
In this place of cell blocks, marble gardens, police cars and strangers, we are wraiths playing with explosives, starting a thousand wars against normality.
While people are slaving away somewhere, we break into their apartments. We put on their clothes, wear their slippers, sit in their armchairs and call each other “darling” and “sweetheart.” We treat ourselves to bites of food and shots of liquor. We have some favourites we often go back to, so after fucking on their beds we make sure we leave everything as it was before we sneak out again.
In the beginning, he asked what would we do if someone returns home to find us there. I said they’d better not. I am irritable when I am hungry.
Cuddling each other in half-constructed buildings, monuments to petit-bourgeois ambition forever destined to remain naked brick and concrete, we talk about what our dream castle on a hill will be like. A castle of iridescent stone, with black ebony window frames and everlasting roses climbing its walls, overlooking our realm of flowers and sunrises. In such a place, even life may fit somewhere in our embrace.
As a moon of elf bone rises, hunger grows into a scream. We are the night searching for a meal.
*
Lighting a cigar, I let the tobacco hang in the air before planting the wet end deep inside a ruined candle. I’m wearing someone’s shirt, someone’s shoes, and none of their dreams. When we can find them we use their old bank statements as firelighters; we grind up their old family pictures and snort them up with much hacking and coughing. She tells me; this is memory rejecting against us. I’m not interested in memory anymore. Nostalgia is just an old man with terminal masturbation.
I sit down in an old wicker chair and feel the burn down the back of my throat as another gallop of Old Brandthrick trundles and fusses into my veins, obliterating anything with forward momentum. All points reset to zero, all rails set to the buffers. She walks across me, one foot taking the place of the other, and lifts her autumn dress to let in the air. I am nothing in this and yet I am everything; a flat piece of meat observing the opening of a rare flower.
The Moon rises and cries to a symphony of two legged jackals. I have her courage and she has a knife. She drags her finger through the remains of our most recent bonfire and pushes the tip under my eyelids. With a kiss smeared down my cheeks she runs her tracks over the wet bones, the soot planting deep in my pores. I look into her eyes and she smiles and shakes her head. This is not a night for heroics; this is a night for being the night.
When I breathe out, my ribs rattle like wind-chimes in a spring breeze. My eyes search the swaying yellow grass for any unnatural movement. Behind me she swills an expensive tumbler full of cheap whiskey in a black ball-gown too big for her, hanging like a defiant flag from her shoulder blades. I know what seethes underneath but I need to concentrate now. My veins lift from tissue and bone as she sings a gentle song, rustling in tune to the dead field.
*
It’s time.
I sit on his lap, wrap my arms around his neck and look him in the eyes. Is he ready? He says yes, but not without the face this place has given him.
“The eyes are the windows to the soul,” I say in all seriousness, and we both burst into a mocking laughter that could make the rising moon crack.
“Why so sad?” I ask, and he looks at me as if he’s close to tears.
“Don’t be mad,” I say, and he gives me a scowl worthy of an unworthy parent or a saint.
I want him to be happy, and happy he becomes, a trendy buffoon drinking his favourite soda in a commercial. And when I lift my dress, his eyes open wide in vestal innocence.
I paint his eyes with soot, burying them deep into stinking shadows. See? The windows to this soul are shut. Then I trace my blackened finger over his lips.
“Bring out your dead,” I say.
We’ve been watching her ever since we saw her run over a couple of pigeons. She clapped her hands to congratulate herself, golden rings and dyed blonde hair gleaming in the sun. They had crapped on her car hood once too often – fucking flying rodents. We watched her speed
down the road, leaving a mass of bloodied flesh and dirty feathers on the asphalt.
We buried the birds in the field of scorched grass, digging holes with our hands, saying a prayer for flowers to grow over their grave.
She unlocks the door to find him sprawled on the sofa.
“Darling,” he says, “you’re home.”
Her hands are tied, her mouth is gagged. I can see the back of her shoulders rise and fall with her muffled sobbing. He apologises if his actions caused her any distress and messed up her makeup. In a soft, crooning voice he tells her how anger and bitterness have left tell-tale lines on her face.
“Life is not as the romances promised. All these false ideas you swallowed without question led to disappointment, didn’t they? Now you take it out on those who can’t stand up to you.”
He takes a Swarovski bird miniature from a display cabinet full of refined useless objects. He holds it against the pendant lights, pretending it’s flying across the room, the colours of the rainbow flashing out of its open wings. Then he makes it land on the floor and crushes it under his foot.
“Once you had another face. Do you think you can find it? Promise me you’ll try, and I’ll leave. You’ll never see me again.”
She nodds, furiously, and I expect there are more tears running down her cheeks. If I were her, I’d cry too if he told me I wouldn’t see him again.
“There is a number you mustn’t call after I leave. Promise.”
More nodding, more passion into the gesture. He looks into her eyes.
“I can believe many things,” he says. “But you… sweetheart, this is where I draw the line.”
But it’s me who draws the line. A perfect, straight red line across her throat.
*
Sitting in an old armchair, a new rain thick and glutinously falling through the holes in the roof, I carve slices of apple from a bloodstained razor. The sweet citrus mingles with the dark iron of oxygenated red and I cannot work out if I like this taste or not. I see her washing her hands in the trickle of a paste waterfall, the drizzle coated in dust and ash.
“Bit excessive?”
She dries her hands on her already stained dress and pads over towards me. Backlit, the sun illuminates her hair like a neon Medusa and I stare and I stare because if I cannot live for the blood of others running over my own, I wish to be made of stone. She sits in my lap and flicks my nipple through my t-shirt.
We hole up in the old shack because the sound of sirens is too loud for fragile skulls soft from fetal-alcoholism and a lack of calcium. Downstairs the living room is rotting; upstairs all the walls are just faint traces on the floor and the only monuments are a lonely sink, a single rusting bedframe with the mattress now just a black stain on the floor nearby. Above, a single light fixture hangs sadly, ashamed to still be clinging on despite being powerless.
Ushering her off my lap I stand up. The sudden violence of the situation disturbed me, and now I feel high after the hit, my soul now spinning wildly like a ship caught in a whirlpool, caught up in a flashback of an event that is already in the past. Taking the ribbon out of her hair, I tie her wrists together and fasten them to the ceiling light above us. My heart thuds and echoes around the empty walls around us as I take another slice of bloody apple.
*
A line drawn, a line crossed. A first time for everything.
First time I saw him, standing in this room on the windowsill, shifting his weight back and forth. If he was a painting, he’d be called blackbird on a seesaw. I could have let him fall, because he had intruded on my solitude. I pulled him back. I didn’t save his life, I told him, and the flicker of anger in his eyes died down. I saved his death. It wasn’t a long fall down; no one would carry his broken ass to a hospital. He’d pass some very long last hours on earth, calling himself an idiot. He ought to find a taller building if he was serious about it. And make sure he was alone in there, or another lady might save the gentleman in distress.
He is eating an apple.
That same night I tied the knots for the first time, the rope once around his wrists, twice. His body passive, his eyes urging me on. They blazed like the fire burning where the sirens went, the one that cleansed that place from our presence. He had said “kill me,” but meant “fuck me.” Every time like a better first time, until we performed the ritual to perfection.
This is the first time we part with tradition. A first time may be the last time.
He is eating an apple. Not washing his eyes.
He says I must have been conceived underground; I’m bound to earth and she gives me my strength. As for him, he feels disconnected, only half aware of his surroundings most days. I shook my head the first time he told me what scenes he played behind his closed eyelids to soothe himself into existence.
He is eating an apple. Not washing his eyes. The knife in his hands.
Maybe I should have taken him at his word and killed him, or let him fall. He fed me his hunger seed after seed. It’s an irritating taste burning at the back of the throat, unable to say itself, coming out as a growl or a scream.
Another slice. The windows to this soul are shut.
I cross out the things he wants to do to me. He always writes them back. He isn’t one to forget easily, no matter how he claims he’s not interested in memory anymore. He is good at self-deception. What do you mean does he know it? Of course he does. Of course he doesn’t.
It’s getting hard to think as my wrists go numb. Perhaps it’s getting late too. Late for castles, flowers and sunrises.
I gave him what he wanted. So now what?
*
I place the tip of the blade against her breastbone, but then drive it slowly down opening the dress and revealing those familiar contours. All the violence of late has been so much empty vapour, and I struggle to breathe these days. Here in this fetid shack so rotten as to allow all our dreams to escape through the cracks. I turn my back as she flutters and dangles in the breeze like a flower with some of the petals plucked away and sit down on the floor.
She once told me; there are none more cruel than those who believe themselves to be righteous. I’m not sure if I feel righteous but I feel cruel and I feel the force of it bleeding out of me from my shoulders down to my knees. Once I scrambled in a dark room at night, and now I find myself in a dark room with no windows and no hope of sunlight to one day illuminate everything. I need fire and nothing in this fucking place, this fucking town has the guts and the soul to burn.
Throw a few more bones under the mantelpiece; the dry crackle might just show us what we have left. I stand up, knife in hand, and stride over to her. It would be so easy to end everything now but I can’t bring myself to deprive the world of such depravity. I slice a lock of her hair and place it under my tongue before cutting the ribbon down around her wrists.
If I can’t escape the darkness, at least I’ll have the black.
*
He is drooling. Beaded strings hang from his chin, breaking, falling on his t-shirt. It’s mesmerising; a slow, fluid metamorphosis. Then the smell hits me: something metallic, something burned, like a nervous dog shooting the glands. It seeps through every pore of his body with such force it almost pushes me back. I slide a hand around his waist and pull him closer.
”You are a god now,” I whisper in his ear. “We are. We had nothing else. We’d be gods or nothing. We agreed on gods.”
I catch the beads with my tongue, lick them off his chin. His saliva is a sharp, straight aphrodisiac of apple, blood and doubt, streaming from his mouth to the rythym of his thudding heart.
“Breathe. You were just born.”
I drink; my heart quickens. Finally, he spits that strand of hair on the floor and we kiss like rivers.
“Do you?”
“I do.”
“Fuck me.”
I don’t want to take the knife, but he makes me, squeezing my fingers around the handle. The temptation to push it in his belly is tremendous. I’d hear the sound of his skin tearing; I’d get to see what his disloyal insides are like, while he’d be waiting for me at our castle on a hill, warm and new. The idea almost makes me come.
I shake my head.
“I won’t choose how this ends.”
Bringing his hand to my lips, I sink my teeth in his flesh. He shudders and finds the knife in his hand again.
*
I have a handful of her behind as she straddles me, pounding down into my lap with so many gasps and creaks that I don’t know what is human, animal or just the weak floor underneath us. Her hair cracks around my face as I feel the warmth in my lap, leaking onto my thighs; moans, shrieks and ice deep in my stomach.
When I open my eyes, it is already grey around the edges. She continues to pound away but everything is dying and I am staring at a clenched fist pressed against my own stomach with a knife somewhere inside it all. Her sex mingles with the blood now pouring out of me, but still she maintains those furious eyes on mine, daring me to pass out before she is done.
My vision fades like the ripples of a pond in reverse, contracting and drawing everything in. My hand slides away from her buttock and finally lets go of the blade hilt. With this release I suddenly feel sharp pain, as though the knife has become this destructive object in that moment. She still slams down on me but it is useless, just a pointless slap of flesh on blood. The groans turn to growls, the moans into a seething frustration as I slip away beneath her like winter mist as the sun breaks through.
We’d agreed on gods. I am no god, but neither would I ever want to be mortal. This made sense to me. My eyes narrow to a single circle of fading light; of shiny gritted teeth and piercing white eyes. She’s slapping and punching my shoulders but I can’t feel it anymore. I feel weightless but I’m not flying to the above. Our kind – my kind – we only slide down, just so much water trickling between the gaps in the floor and growing putrid where there is no light.
Time to sleep now. No gods, only monsters. And truly, for a short time, we were monstrously magnificent.

Silent Hour sits with a notebook on its lap or in front of a computer. Its pen is fine-tipped and black, its current notebook is also black and almost finished, and the computer is rather old.

Silent Hour is Basilike Pappa

Interzone — Sudden Denouement Literary Collective

I remember she once told me; the funny thing about endings is that they never happen. By the time you reach it, you’re already past it. Likewise we can never experience tomorrow, it is always just out of arms reach. She was always saying stuff like this; it sounded profound but then […]

via Interzone — Sudden Denouement Literary Collective