A Love Letter To An Autumn Thunderstorm

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It doesn’t help to overly romanticise The Girl; a Manic Pixie Nightmare smelling faintly of green meat with greasy hair and black under her fingernails.  Every morning she drew teardrops under those auburn oval windows in eyeliner, in memory of those who didn’t and couldn’t pass the tests.  Every morning she pressed those dirty angelic feet into the same toeless, ripped heels.  Those feet, the soles hardened and yellow, once kicked the life and death out of her own father, and left a streak of explosive blood across the wall; she compared it to a peacock feather.  She was not romantic, but she appreciated actions…. not gestures but actions.  When I took a beating from a gang of ten with pool cues for commenting on her tits she looked down on me like undersole filth and played on with them, as the barkeep swept me into a bucket and threw me outside.  When I pressed a sock filled with chloroform over the mouth of her best friend, and watched as she was strung up by her wrists over a bonfire to dance, The Girl rode me until my pubes were torn from my skin.

Whenever we drove anywhere, no matter the weather, she opened the window and rested her head outside and fell asleep.  In those quiet moments, where I felt safe from knife blades and cigarette burns, her hair flapped like the banners of two ancient armies on the battlefield.

*

I know I can never touch her again, so I touch the things that she once grasped.  I find the pieces of graffiti that fascinated her and I run my fingers over the same lines of paint.  I search in the weeds for the same bottles of glue to huff; they lay empty with the labels slowly fading like memory itself.  I squeeze nettles and thistles and stare down adoringly as the little white bumps form in my palm.  I cut myself on the same pieces of rusted barbed wire in the hope of capturing a few cells of her blood.  In town, stumbling and confused with yellow bandages over my fists, I flick to The Beatles and put on She Loves You and I remember when I had dreams.  Genuine dreams.  Before the transfusions, before they were drained to preserve the lives of many others, who squandered them with pointless admonishes and meaningless children.  She escaped, blasting past the indecision and weakness into the vacuum of non-knowledge, where every eventuality became a natural progression.

I know the songs we both loved have been extinguished from her mind and it terrifies me, so I keep them alive in my own mind.  As memory exists as a lifeforce I wallow in the increasingly diluted and faded colours, see the heartbeat grow faint, and I feel it in my own chest.

*

But I see the echoes every day.  I see three men standing against the sun like curiously shaped monoliths and, in a moment of self righteous frenzy, I pretend they’ve all fucked her and left her for dead.  So, headphones still throbbing into my brain, I launch over a fence with a blade already locked.  I’m all ready to own the ears and lungs of these three bastards when the song changes.  The memory changes.  I’m not standing in front of her, facing up to a certain beating with only a rusty knife, as she disinterestedly smokes a cigarette and puts it out on my shoulder.  I’m thinking of the time she ate a piece of my hair and clutched her stomach telling me she’s now pregnant.  I knew she was messing with me, but in that smile I wanted it to be real.

So now, I’m left standing in a field in front of three men eyeing me with both fear and confusion.  As The Sun sinks behind them I click the blade away in embarrassment, and I swear I can see her eyes swimming around, bumping like tadpoles, in the black spots that cloud my own.

Crimson Lips

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I took her to the disused railway line.  The trees form a green tunnel, with patchwork sunlight dappling through the leaves.  Looking eastbound, I see a circle of green pierced by light and flanked by the twin brown lines running to meet in the distance.  In dim shade, there are grey walls coated in faded paint, covered in the icons of those who no longer walk here.  In the long grass burned spoons and aerosol cans, all the pathetic detritus of a people that have failed their home.

When I told her where we were going, she rolled her eyes… must we?  Haven’t we done this already? 

She told me once; I have fantasies about being tied to the tracks, bound at the wrists and ankles, as a train is approaching. 

She told me; I feel the vibration from the rails on my skin and in my bones and I’m writhing to get away, pushing my chest out, and I can’t… I just can’t.

And I have to walk away.  I can’t abide the thought of her in peril, but I can’t explain the bulge in my jeans either, or my dry mouth, or my breathlessness, or that I’m trembling like I’m cold under this midsummer sun.

So I bring her back here out of confusion.  I’d never tie her to these rusty old girders, and no train has run down here in sixty years.  I just want to hear her story again.  I want to hear her desire something.

Pelt

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I bleed always

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Translucent and odourless, it flows cold

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Flavourless and…. pointless?

No.

Not pointless.

Wrong word.

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The grief of distant stars…

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…no longer there…

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…the light reaching us too late.

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Can you be saved?

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Do you need?

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Do you want?

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Touch your fingers

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Eyelash-kiss my moist cheeks again…

 

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As you snore in my arms, the vibrations run through me like the tremors of an earthquake; the ripples spreading out like stones hurled into a pond.

Your sonorous baritone makes my atoms dance.

I see my reflection in your eyes and I’m always dying.  Always falling to my knees clutching my chest or covering a wound on my neck.  Always clinging to life inside that perfect circle of black.

Hide me under a quilt so I can bury my tongue between your legs, picking hairs out of my teeth.  I’ll wet my broken lips against your sex, nodding my head…

slowly….

slowly…..

slowly….

…agreeing with everything you say.  Hide me under the sheets, leave me to nest between your thighs and not come out until the spring.

 

*******

I put down my cup of tea on the table and pretend to scratch my nose; actually, I’m sniffing my fingers.  I’m wearing her black thong under my skinny jeans, so my cock is half squashed and half rubbed raw against the zip fly.  My hair is filled with her shampoo.  My teeth glisten with her toothpaste.

*

The question is asked

__ ___ ____ ____ ______ _____?

and I reply;

Excuse the language, mother…

…but I fucking love her.

 

Digest

Sea XIII

Do you remember the story of the monk at the old church?  We took the bus on an icy evening and waited for hours until the moon was warm on our faces and our feet were wet with melted frost, tromping through long grass.  Don’t you remember?

That old church, where the chicken bones were trussed together into crosses, and that teenage lad fell from the tower and broke himself in half over the stone tomb of the priest who’d died in 1886.  We’d gone up there with torches and we heard a noise above, and you shone yours up at him, and he covered his eyes…

….and he came down screaming like a daemon.  And in the dark I thought he had sixteen arms and legs, and his mouth was wide open as though to consume me, and drag me to hell….

….but then he spun around midair as I dived out of the way.  Crack!  On his back, across the raised triangular stone.  Ribs bursting out, blossoming like flower petals opening.  You remember?  The boy gasping, his eyes wide, as we realised he was both alive and dead, until his two parts gently disconnected with a pop and slithered either side to the flagstone floor.

Anyway, I digress. The old monk.  We took that journey so many times.  We read all the books about the monk who flitted around the grounds.  Why do ghosts always flit?  Why don’t they mince or swagger?  That poor boy though.  That poor boy.

Drench

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She has a voice that shatters memory.  Every time I hear it, I forget another birthday.  Another past crush dies.  Relatives cease to be names or faces.  I cannot bring them back.  I can only focus on hips, knees and shoulders.  A tuft of hair above The Zone that I deliberately nibble on so I get a thread caught in my teeth.  It makes me feel like a teenager again.

I look for her car as I walk the streets; any time I see that model in that colour I push my chest out and lift my chin.  It might be her, and I don’t want to be slouching.  I have nightmares about tripping over my laces and falling at her feet, breaking my nose and bleeding all over her sandals.

She calls me Martin and she calls me a cunt.  I’m neither.  But I give up dignity and identity to cuddle her jacket when she gets too warm.  I rehearse conversations in my spare time, and then try to spring my ‘spontaneous’ one liners on her anecdotes.  They always fail.  I always stumble.

Perhaps I’m too weak to be adored.  Her on-off boyfriend, Taylor, is now off.  He was too weak to see a rival in the short grass when he focused all his attention in the trees.  That’s why he looked the other way when I lost control of my car, breaking his pelvis.

I see her, sitting in the park.  Chest out, chin up.  Hold that thought…

 

 

Merry

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I’m only comfortable when I’m sitting on the floor, pressed against a wall.  I stare into the blemishes of the concrete, my flesh airtight against the cold.  I push my forehead into the stone until it pains and then bleeds, and lukewarm red meanders down my cheeks.  Red rivulets run and saunter over my eyes until I cannot see beyond the scarlet.

I talk into the bricks, quietly but firmly, picking words that make my chest vibrate and my throat wobble.  Words like; melodious – intimidating – destruction – organ – obtuse – magnificent.  Nowhere to go, the vibrations bounce from the walls back into my chest cavity and suddenly I’m swimming with the words, arm-wrestling with them, pulling at their kicking legs and clamping around their waistlines.  I relish each syllable, running them through my cheeks and over my tongue like liquor mouthwash, until they burn my gums and I have to release them.

Meander.  Beautiful.  Uncontrollable.  I place my knee under the chin and allow my voicebox to tremble over my skin.  The vibrations dance over my bones, as though my tendons and ligaments are guitar strings.

Adam.  Brian.  Courtney.  When I leave the house, I threaten people.  Grabbing them by their lapels, I hold a cut-throat shaver to their eyes and ask them the usual.  Money.  Phone.  Unlock codes.  Never cards or pin numbers; it’s too easy to turn them into redundant plastic rectangles.  But I ask for their names.

Later, pressed against the wall, I give them a try.

Marmaduke.  Gary.

 

She Only Kisses On Thursdays

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She hides one eye behind a torrent of thick, globulous, dyed hair.  Teeth like an antique piano, I fantasise about their tune.  Lame, I know.  But then, I’m the guy who hovers around the beans, the peas and the tinned fish; with my squeaky trainers and leather trenchcoat; too big for my shoulders and too hot for a July afternoon.  All for a glimpse, or maybe for nothing.  The security guards follow me, pushing the products forward, making everything neat, making sure the labels match.  I put my hands in my pockets and pretend I am cocking a pistol.  I don’t know how; I just watch too many films, and I’ve practised the noise using the spit on my tongue.

I dream of being fondled inappropriately, because I’m too shy to make the first move, and too male to ever find the experience distressing.  Sweat runs down my arms and tickles my fingers.  The air fills with fresh bread and sweet donuts.  My high-necked roll collar itches against shaving rash.

She always smiles.  Looking down into the glass cabinet, then looking up.  Curling that clotted curtain of hair over one ear.  She’s always happy to see me.

Like today.

The Girl On The Bakery opens a gusher, without any warning.  I stand powerless.  The same smile, the same look, and then a plunge into her own arm with scissors from her pocket.  Two of the staff immediately rush to her aid.  The rest are sprinting to save the daily bread.